Saturday, March 30, 2013

shedding


Work Gloves on Clothes Line, 2009











The Pennacesse Leper Colony for Women, Cape Cod: 1922

BY NORMAN DUBIE
for Laura
The island, you mustn’t say, had only rocks and scrub pine;
Was on a blue, bright day like a blemish in this landscape.
And Charlotte who is frail and the youngest of us collects
Sticks and branches to start our fires, cries as they burn
Because they resemble most what she has lost
Or has little of: long fingers, her toes,
And a left arm gone past the elbow, soon clear to her shoulder.
She has the mouth of sea perch. Five of our sisters wear
Green hoods. You are touched by all of this, but not by us.
To be touched by us, to be kissed! Sometimes
We see couples rowing in the distance in yellow coats.

Sometimes they fish with handlines; we offend
Everyone who is offended most
And by everything and everyone. The five goats love us, though,
And live in our dark houses. When they are
Full with milk they climb the steps and beg that
They be milked. Their teats brush the steps and leave thick
Yellow trails of fresh milk. We are all females here.
Even the ghosts. We must wash, of course, in salt water,
But it smarts or maybe even hurts us. Often with a rope
Around her waist Anne is lowered entirely into the water.
She splashes around and screams in pain. Her screams
Sometimes carry clear to the beaches on the Cape.

For us I say so often. For us we say. For us! We are
Human and not individual, we hold everything in common.
We are individual, you could pick us out in a crowd.
You did. This island is not our prison. We are not kept
In; not even by our skin.

Once Anne said she would love to be a Negro or a trout.

We live without you. Father, I don’t know why I have written
You all this; but be proud for I am living, and yet each day
I am less and less your flesh. Someday, eventually, you
Should only think of me as being a lightning bug on the lawn,
Or the Negro fishing at the pond, or the fat trout he wraps
In leaves that he is showing to someone. I’ll be

Most everything for you. And I’ll be gone.

Sunday, March 17, 2013

work



abandoned mine Kellogg Idaho

























This is how my writing is. A looming edifice.


Also this:

Jolly Green Giant

























So jolly and large. Standing on my chest. Hands at hips. 
Pleased as punch the writing goes no where.




I want/know/hope the work will look like this:

Joan Mitchell


























Eduardo C. Corral: His Slow Lightning!
Another of my fellow NEA-ers' books.
Inspiring in its various forms. 


Some lines:


Every word I utter/is opalescent. 
Through the window, sky like a torn sketch of the ocean. 
I asked once for a sonnet. You
peeled back the skin and muscle of your left hand: fourteen bones. 
I know
what Eve
didn't know: a serpent
is a fruit eaten to the core. 
 
 

Next on NEA reading list: Jill Alexander Essbaum's Necropolis.












Saturday, February 9, 2013

Tilting




















When autumn turns winter, the snow covers
us into secrets.
-Ken Chen JUVENILIA

Thursday, January 10, 2013

Ruins



















                                                                                                                                                 Reservoir Fire 2011



Some lines selected here and there fromTraci Brimhall's OUR LADY OF THE RUINS


This is not the place your life begins or ends.

We want to ride the horse of the past backward
through time to first wounds...

Take the blackbirds from your hair and lay them in grass. If
their eggs hatch in your hands, go north.

Find the immaculate muscle which did not
burn, and take it.

the revelation of stone is slow

Say the body is a needful animal petitioning the sky
to satisfy its thirst. Say it is a haunted cabinet.

These are the ruins
I mapped onto my body so I might always be lost.

I dreamt my daughter dove
for whale bones on the abyssal plains,
surfaced from the seafloor bearing
spines, ribs, colossal skulls.

When he asks for a sacrifice, I offer
another woman's son.

A woman's body is a memory with no language.

Saturday, January 5, 2013

reading

























Some lines from THRONG by Jose Perez Beduya:

When you speak again
Use your wilderness voice
Not your factory voice

You and I conferenced
All night
Exchanging
Cold pronouns

You think hollowness unlike depth
Is a grace or a loveliness

Wheel away the dusk and floodlights
Squeeze through the trees

Because cars are an eternal river

So many minutes to a field

We were the long
Lawns while the muzzle
Flashes in the fields
Were our sisters

Our record- and peace-
Keeping done remotely by objects

Our bodies so clean
They're smoke

A curfew of the skull

We drank
Water from our uniforms
And tasted
The dead in everything we ate
We waited for a pattern
To cut down through the clouds
We measured our era of drifting
Not in years but daughters

Wednesday, January 2, 2013

books

























Such beautiful creatures these books of poetry by my fellow
NEA writers. Their covers startling mostly. Titles like Throng
and Sad Daughter. I want one, a book I mean. A book book.
No chapbook. No POD. Nothing against those. A book of my poems.
That's this year. And/or the next and next. How long is a game.
And so I'll read. I ordered some of their books, those I could find
on Amazon. In alphabetical order will go my reading. Perhaps
too some writing here about what I learn as I go through the stack.

THRONG by Jose Perez Beduya
OUR LADY OF THE RUINS by Traci Brimhall
THE SECOND REASON By Jenny Browne
JUVENILIA by Ken Chen
WITHOUT by Maxine Chernoff
SLOW LIGHTNING by Eduardo C. Corral
NECROPOLIS by Jill Alexander Essbaum
COFFLE by Reginald Flood
SAD DAUGHTER by Sarah Gorham
VELROY AND THE MADISCHIE MAFIA by Sy Hoahwah
SUNDAY HOUSES THE SUNDAY HOUSE by Elizabeth Hughey
WE ARE STARVED by Joshua Kryah
HOUSEHOLD MECHANICS by Sarah Mangold
MULE by Shane McCrae
ORANGE CRUSH by Simone Muench
UP JUMP THE BOOGIE by John Murillo
VOYAGER by Sikranth Reddy
BY THE NUMBERS by James Richardson
COPPERHEAD by Rachel Richardson
ROMEY'S ORDER by Atsuro Riley
LITANY FOR THE CITY by Ryan Teitman
ARCO IRIS by Sarah Vap
PERSONS UNKNOWN by the late Jake Adam York
MUSEUMS OF ACCIDENTS by Rachel Zucker